"This is my consummate Japanese influence painting. ts ethereal, full of water, reflections air, and plants; letting nature be seen as a lover, practically. What I love about old Japanese & Chinese art is the relationship of human to nature. It represents the relation of the large to small. It is not human-being centric, but nature-centric. Another thing these artists did was to be very aware of the materials.
The sensuality of the actual materials, colors & forms is the prime focus. I always use the best quality colors and paper to achieve this effect. I named it cherry blossoms in honor of the Japanese artists of old. I'm pretty sure I was one in a past life if such a thing exists."
- Eve Hennessa
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MIXED MEDIA ON PAPER
52 x 60"
“When I got into art, it was such a refuge. It's an autonomous vehicle of absolute freedom. I had just been expelled from high school and through four years of depression. I just stayed in my room reading literature, biographies, philosophy and painting pictures. I was searching for answers, meaning, and beauty. The outside world seemed so illogical and cruel. My only solution was to withdraw from it. That's when I began to search and search until I found art. I learned that I can create a world of beauty and wonder. Creating art has no limits, its full of feelings, and meaning."
Hennessa is now a DC-based artist. Previously, Eve went to grad school in Mexico City's UNAM, San Carlos Academy where she created walk-in wood construction sculptures that were a dark closed in environment, abstractly reflecting a starry night’s sky.
For her, painting can be a form of color healing meditation as well as a way to communicate complex ideas. Eve will easily spend a day immersed in colors or the complexities of lines.
Severe chronic PTSD has impacted Eve's childhood development. As a result, the right brain hemisphere of perception and flow dominate so that she is able to always tap into expansive creativity.
Lack of planning and control is embodied in how Eve harnesses the dynamic swirling nature of color and paint. She loves that it’s hard to control, “you have to work with it and follow where it wants to go.”
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