"I first began to focus on black and white abstract geometric drawings in January 2017. This was a unique and diametric departure for me. Prior to that point, my work was primarily known for its vibrant color, whimsy, playfulness and joy. Only on rare occasions did I ever work in black and white.
I did not give each piece an individual title as I had always done previously, but labeled them “Black And White” followed by the number of the work.
For no obvious reason, as I reached Number 20, I felt an internal shift and was compelled to transition from “Black And White” to “Night And Day.”
It felt like a type of evolution . . . suggesting to me a much broader range of meanings and implications . . . Softer . . . Gentler.
While, “Black And White” could be viewed as oppositional . . . “Night And Day” are equal parts of a whole . . . both required to make up one entire day . . . Inclusive . . . Complete."
- Susan Schanerman
Prints are produced on demand on stretched canvas, acrylic plexi, or giclee fine art paper in a variety of sizes here in the United States.
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“I am often told that my work is inspiring, uplifting, whimsical, playful and fun. I use vibrant color and much of my work has a child-like tone. I’ve often thought that it is speaking for the child within me, the child whose life never again even approached normalcy after polio. Most of my work expresses the freedom and joy of childhood, something I never really experienced myself. What permeates all of my work, is that it speaks directly from my heart and soul . . . it’s a means of communication . . . heart to heart . . . soul to soul.”
Susan is an artist and writer who has overcome many obstacles in her life stemming from a paralyzing case of polio at a young age. Susan writes, “In Dec. 1953, I was a normal, healthy 7 yr. old child. Within less than a month, I was no longer healthy or normal, and never would be again. I had been stricken with a paralyzing case of polio. For the next 10 years or so I had therapies and surgeries and did make what could be called a remarkable recovery. I was able to rid myself of the braces, crutches, and wheelchair . . . but was left with residual muscle and nerve damage, deep psychological scars . . . and an even deeper sense of powerlessness.”
Susan describes art as her complete passion, an activity and practice with the ability to heal mind, body, and soul, “often the tonic that gets me out of emotionally dark places.” Susan describes her experience of joining ArtLifting as one of great empowerment for herself, “I never wanted to admit or see myself as disabled. After I was rid of the braces and crutches, my disability wasn’t obvious. Maybe that attitude served me well over the years . . . and maybe not. The real truth was and is that I was hiding and denying a significant part of myself. I hate the word “disabled” and always have . . . but to me, the fact that I’ve reached out to ArtLifting is a demonstration of owning, accepting, even embracing the part of myself that I have denied and rejected for my entire life.”
Through sharing her art and her story Susan hopes to communicate that “We can each be a star in our own lives . . . if only we believe we can. We all have the capacity to move past our obstacles and challenges, whether physical or emotional, obvious or hidden, and achieve the goals and dreams of our hearts. We owe it to ourselves and to those we can inspire . . . I make art because it's the best way for my heART to communicate with the world.”
ArtLifting champions artists impacted by homelessness or disabilities through the celebration and sale of their artwork. Learn more here.